Dispatch from Boston – This One’s for the Women

On a recent trip to Boston last March, I caught up with new developments on the cultural scene. It was women’s history month and what I saw and were I went definitely reflected that fact.

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Postcards from the Road: Richmond, Indiana

Last week, Rachel and I headed to Richmond, Indiana for meetings with the Indiana Arts Commission (IAC). We are working with the IAC to design an evaluation plan and assess their evaluation capacity so that they can improve and share the impact of their work. The IAC goes “on the road” for two of its Commission meetings each year and so we got to meet with the Commissioners and IAC’s Regional Arts Partners (RAPs) in Richmond, Indiana.

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“This is what our community feels like, looks like, tastes like, smells like, sounds like”: Reflections on Working with Artist Facilitators

Illustration of the community poem from Lisa Nelson, of See In Colors.

Community is a block party where everyone is invited. Bring your best dance moves, your favorite food.

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Post Cards from the Road: Metris takes Manhattan

We conceived a day trip of meetings in NYC some months ago—thinking it would be a great way to kick off our marketing efforts in early 2019. Little did we know that the weather gods would smile upon us and deliver a sunny, 60-degree day in early February, just one week after the polar vortex.

My colleagues Anne Gadwa Nicodemus, Susannah Laramee Kidd, Rachel Engh, and I booked meetings with people and agencies whose work we admire, as well as present, former (and maybe future!) clients to check in on what’s on deck for 2019 and explore opportunities to collaborate.

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A Cultural Planning Manifesto

I’ve lived and breathed cultural plans for so long, it feels as though I’ve looked at the work from every angle. I’ve read many. I’ve talked to a lot of people in different places that have developed them. I’ve taught cultural planning in the U.S. and China. Most importantly as a municipal cultural leader, I had the great fortune to head up the creation of Boston and Chicago’s cultural plans. I then spent two years implementing each. Pre-planning started with fundraising, goal setting, vision development, drafting an RFP, and engaging consultants. During the planning process, we built a team, trained volunteers, collaborated with artists, engaged stakeholders and the public, crafted research and synthesized data, articulated a compelling shared vision, and launched the actual plan. That plan launch then triggered a whole new set of work—we cultivated partnerships, identified funding, devised programs, created pilots, crafted policies, adopted legislation, commissioned follow-up research, and finally institutionalized the work and communicated our accomplishments. Phew!

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Community-Engaged Design: A Story of Hiccups and Perseverance

Just as I began my internship with Metris in September 2018, I also embarked on my engineering studies senior capstone design project. Our group had to design an art installation for the exterior of the Acopian Engineering Center at Lafayette College. Our goal for the project was to create an installation that could help Acopian and the engineering department feel more inclusive and interdisciplinary. At the time, I was still finding my footing at Metris, but based on what I knew so far, this project seemed likely to be a perfect converging of both of my majors (engineering studies and studio art) and my work at Metris. I just wasn’t sure what exactly that would mean.

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Learning from the Ghost Ship Fire Tragedy: Safety, Support, and Informal Cultural Space

Photo by Jim Heaphy

Two years ago, on the night of December 2nd, 2016, 36 people lost their lives in a tragic and preventable warehouse fire, which broke out in the middle of a concert on the second floor of the Ghost Ship arts performance and living space in Oakland, CA. The fire trapped concertgoers on the second floor of the warehouse space with only a single narrow stairway as an exit, as the other stairway had been blocked off for the event. The tragedy immediately reached national news. I remember the news stories updating, the slow, awful revelation of the extent of the loss of life. I also remember that as the night went on, my social media feeds began to fill with personal outpourings of grief from friends who had lost loved ones that night. This was not an anonymous, distant tragedy. This was an extension of my community.

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Journeys in Creative Placemaking/keeping/taking

Aspen Review Café: Creative Placemaking

In 2009/2010, I caught an incredible break. I had recently decided to hang out my shingle as an arts and urban planning consultant. A former choreographer/arts administrator, I was just 29 years old, had a newly minted masters of urban planning in hand, and a rock star of a mentor: Ann Markusen. The upper echelons of the National Endowment for the Arts tapped Ann to write a white paper. It was to underpin a new, flagship grantmaking program on how arts and culture could be harnessed for community revitalization and livability. When she asked me if I’d like to work on the project, I unequivocally said yes. In many ways, that white paper has been and remains my professional calling card. It allowed me to build Metris, a business now nearly 10-years strong, and I am incredibly proud of our body of work. When giving talks around the country, folks introducing me would frequently go off-script from my official bio and ad-lib “she, literally, wrote the book on creative placemaking.”

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Sidestepping Nails and Newly-Poured Concrete: Why Fieldwork Matters

“We are Edison” by Fran Dwight. Kalamazoo, MI

I always appreciate when I get the opportunity to pry myself away from my Office friends—Word, Excel, and PowerPoint—and witness creative placemaking in its natural habitat. Last year, Metris had the privilege to support Center for Community Progress in an exploration of how four cities use creative placemaking on vacant properties. A national organization, Community Progress fosters strong, equitable communities where vacant, abandoned, and deteriorated properties are transformed into assets for neighbors and neighborhoods. Continue reading

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