What Is Creative Placemaking?
In Creative Placemaking, the 2010 white paper for the NEA‚Äôs Mayors‚Äô Institute on City Design, Ann Markusen and Anne Gadwa Nicodemus developed an initial definition of creative placemaking:
In creative placemaking, partners from public, private, nonprofit, and community sectors strategically shape the physical and social character of a neighborhood, town, tribe, city, or region around arts and cultural activities. Creative placemaking animates public and private spaces, rejuvenates structures and streetscapes, improves local business viability and public safety, and brings diverse people together to celebrate, inspire, and be inspired.
The report remains a key resource for mayors, arts organizations, the philanthropic sector, and others interested in understanding strategies for leveraging the arts to help shape and revitalize the physical, social, and economic character of place.
Support for and interest in¬†creative placemaking rapidly expanded, for instance through the formation of ArtPlace¬†and the Kresge Foundation’s emphasis on creative placemaking in its grantmaking. Gadwa Nicodemus documented this emergence as a major new U.S. cultural policy and funding trend in her journal article¬†‚ÄúFuzzy Vibrancy‚ÄĚ (Cultural Trends, 2013).
The term and practice have evolved considerably since 2010.¬†Gadwa Nicodemus has been honored to be one voice helping to shape ideas. As early as 2010, she published ‚ÄúCreative Placemaking 2.0,‚ÄĚ for¬†GIA Reader, which¬†documented the explosion and breadth of definitions in operation. As recently as 2018, she reflected on creative placemaking’s warts in ‚ÄúJourneys in Creative Placemaking/keeping/taking.‚ÄĚ¬†‚ÄúArtists and Gentrification: Sticky Myths, Slippery Realities,‚ÄĚ (Createquity blog, 2013) explored the complicated misconceptions surrounding artists’ perceived roles as gentrifiers.
In a special¬†creative placemaking issue¬†of the¬†Community Development Investment Review (2014) for the Federal Reserve Bank of San Francisco,¬†Ann Markusen and Anne Gadwa Nicodemus contributed “Creative Placemaking: How to Do It Well.” In this article, they focus on the¬†challenges in partnering, project design, securing finance, and evaluating progress. They go beyond the limits of their initial definition and case studies, adding insights from subsequent research, consulting, public speaking, and community engagement.
In the book¬†Creative Placemaking: Research, Theory¬†and Practice, Ann Markusen and Anne Gadwa Nicodemus co-authored the opening chapter, ‚ÄúCreative placemaking: Reflections on a 21st-century American arts policy initiative.‚ÄĚ Markusen and Gadwa Nicodemus recount creative placemaking as a cultural policy shift, analyze ongoing challenges in the field, and review evaluation approaches. The book brings together a range of scholars to critique and deconstruct the notion of creative placemaking, presenting diverse case studies from researcher, practitioner, funder, and policymaker¬†perspectives from across the globe.
In 2020, the National Assembly of State Arts Agencies, in partnership with ArtPlace America, engaged Metris to develop the Creative Placemaking Public Resources Guide. This web-based resource helps community development practitioners, artists, and arts and cultural organizations survey the landscape and decode the language of federal government funding opportunities that might support creative placemaking efforts. It provides a curated selection of federal funding sources that can be used to advance equitable community development. Through examples, it illustrates initiatives that have transformed local community development efforts through creative partnerships. It provides practical tips on accessing federal grant programs. The project culminated in a webinar to introduce users to the guide that attracted over 1500 registrants.
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