Anne Gadwa Nicodemus, Principal & CEO
A choreographer/arts administrator turned urban planner, Anne Gadwa Nicodemus leads Metrisâ€™ work. Recent Metris projects range from a Zimbabwean-focused case study of how creative spaces foster activism in repressive regimes (for Hivos, 2015) to an arts and culture plan for the small city of Grand Rapids, MN (GRMN Creates, 2015). As a researcher, writer, speaker, and advocate, Nicodemus tells stories through narratives and numbers. For instance, Metrisâ€™ How Art Spaces Matter reports (for Artspace Projects, 2010 and 2011) reveal the benefits of art spaces to artistsâ€™ careers and communities, including anchoring arts districts, expanding arts access, and boosts to safety, livability, tax rolls and property values.
Nicodemus is a leading voice in the intersection of arts and community development. She co-authored Creative Placemaking, the report for the Mayorsâ€™ Institute of City Design (2010) that defined the field. Her journal articles â€śFuzzy Vibrancyâ€ť (Cultural Trends, 2013) and â€śCreative Placemaking: How to Do it Wellâ€ť (Community Development Investment Review) look more deeply at creative placemaking as cultural policy and its ethics and practical challenges.
Nicodemus gives frequent talks at universities and professional conferences nationwide, and as far-flung as Macau, the Czech Republic, and Ontario. She is consistently recognized as one of the nation’s 50 most influential people in the nonprofit arts (2012, 2013, 2014, 2015).
Nicodemus and Ann Markusenâ€™s â€śArts and Culture in Urban and Regional Planning: A Review and Research Agendaâ€ť (Journal of Planning and Education Research, 2010) was the most downloaded of that journalâ€™s articles in 2009 and 2010. They contributed a chapter to Creative Communities: Art Works in Economic Development (Brookings Institution Press, 2013) and for the Aspen Review Central Europe, â€śCreative City Industry Strategies: Unique American Cases.â€ť Nicodemusâ€™ short writings have also appeared in publications including Grantmakers in the Arts: Reader, Createquity.com and Minnesota Public Radio News.
Nicodemus holds a Masters of Urban and Regional Planning from the University of Minnesotaâ€™s Humphrey School of Public Affairs and a B.A. in dance and biology from Oberlin College.
Nicodemus is fascinated by all kinds of placesâ€”their form, their people, their change. She grew up in suburban Connecticut; went to college surrounded by the cornfields of Ohio; and lived, danced, and worked in New York City and Minneapolis for years. Her family hails from central Long Islandâ€™s north shore, where she grew up spending summers on one of its last remaining farms. Recently, sheâ€™s laid down roots in Easton, PA where she lives with her wife Julia. Email: email@example.com. Download CV.
Jan Cohen-Cruz recently joined Metris Arts as Senior Researcher. She also serves as Director of Field Research for A Blade of Grass, a New York City-based organization that supports socially-engaged artists.
Jan earned a PhD at NYU Performance Studies and, for nearly a quarter of century, served on the faculty of NYU Tisch School of the Arts, developing and then directing an applied theatre program. In addition to teaching and co-directing the Tisch Office of Community Connections, to place student artists in a multitude of local settings, Jan produced two communityâ€‘based arts productions, one on community gardens and the other on gentrification. Post-Hurricane Katrina, Jan coâ€‘initiated HOME, New Orleans (2007) with Ron Bechet at Xavier University and local artists, faculty and students, community-based organizations, and others. She went on to direct Imagining America: Artists and Scholars in Public Life (2007-2012), a national organization with some 100 member campuses that supports partnerships between artists and scholars across universities and communities. She was founding editor of their e-journal Public (public.imaginingamerica.org). Jan received the 2012 Association for Theatre in Higher Educationâ€™s Award for Leadership in Community-Based Theatre and Civic Engagement.
Between 2011-13, Jan was evaluator of the Bronx Museumâ€™s smARTpower project, a State Department-funded cultural diplomacy initiative supporting US artists in partnerships at ngos in 15 countries. In 2016-17, she evaluated three New York City Department of Cultural Affairs PAIR (Public Artist in Residency) partnerships, with artists embedded in Veterans Affairs, the Mayorâ€™s Office of Immigrant Services, and the Administration of Children Services.
Jan had a long association with the Brazilian theatre thinker, practitioner, and activist Augusto Boal. After bringing him to the US, she and Mady Schutzman coâ€‘edited Playing Boal: Theatre, Therapy, Activism and later, A Boal Companion. Jan edited Radical Street Performance and wrote Local Acts: Communityâ€‘Based Performance in the US, and Engaging Performance: Theatre as Call and Response. Her most recent book is Remapping Performance: Common Ground, Uncommon Partners.Â Email:Â firstname.lastname@example.org. Download CV.
Urban Planner Rachel Enghâ€™s core competencies lie in cultural planning, and data collection, analysis, and synthesis. For Metris, she recently spearheaded CulturePulse 2016, a snapshot of the nonprofit arts and cultural sector in Cuyahoga County, OH that combined quantitative (DataArts) data with qualitative insights from a range of local nonprofit arts leaders. In the realm of project evaluation, she provided key data collection, analysis, and synthesis for both Adding It Up, an evaluation of Pillsbury House + Theatreâ€™s community-based public art programmingÂ and Moving Dance Forward, a 20-year retrospective of Âthe National Dance Project (New England Foundation for the Arts).
Prior to joining Metris Arts Consulting, Engh worked on a team of artists, policy analysts, and urban planners to design the City of Minneapolisâ€™Â Creative City Road Map, a community planning process that emphasized racial equity through community engagement. She also managed data collection and analysis while collaborating on PlaceBased Productionsâ€™ efforts to tell the stories of site-specific theater in rural communities.
Engh holds a Masters of Urban and Regional Planning from the University of Minnesotaâ€™s Humphrey School of Public Affairs and a B.A. in Sociology from Grinnell College. Email: email@example.com. Download resume.
Joanna Maatta joined Metris Arts in the spring of 2017 to provide wide-ranging administrative support, working directly with principal Anne Gadwa Nicodemus to coordinate day-to-day operations, aid in special projects, and ultimately enhance the Metris teamâ€™s ability to provide exceptional work to its clients. Maattaâ€™s diverse background combines over 10 years of working professionally in both the non-profit and for-profit sectors. No matter what her official job title or description, she tended to be the problem solver and â€śfixer,â€ť over the course of her career. She holds an M.A. in Sociology, with a focus in applied social research, from Lehigh University and a B.A. in Anthropology and Japanese from the University of Pittsburgh. With her grounding in quantitative and qualitative methodologies, literature reviews, and citations, she provides additional support on Metrisâ€™ research efforts. Prior to moving to the Lehigh Valley, she lived in Las Vegas for three years. Email: firstname.lastname@example.org.
Ann Markusen is Principal of Markusen Economic Research and Director of the Project on Regional and Industrial Economics at the University of Minnesota’s Humphrey School of Public Affairs. Markusenâ€™s recent research and writing on artists, arts organizations and creative placemaking include: How Cities can Nurture Cultural Entrepreneurs (2013), Diversifying Support for Artists (2013), Arts, Consumption and Regional Development (2013), Artists Work Everywhere (2013), City Creative Industry Strategies (2012), Working with Small Arts Organizations (2012), Californiaâ€™s Arts and Cultural Ecology (2011), Nurturing Next Gen Arts and Cultural Leaders (2011), Creative Placemaking (2010), Los Angeles: Americaâ€™s Artist Super City (2010); Native Artists: Careers, Resources, Space, Gifts (2009), San JosĂ© Creative Entrepreneur Project: Final Report and Recommendations (2009),Â Crossover: How Artists Build Careers across Commercial, Non-profit and Community Work (2006), Artistsâ€™ Centers (2006), and The Artistic Dividend (2003) as well as more than a dozen academic and popular articles on artists and the arts. Markusen is a frequent keynote speaker on arts, cities, creative placemaking, and economic development, serves on the National Advisory Committee for the Strategic National Arts Alumni Project, and actively consults with international, national, state and local governments and nonprofits on creative placemaking and support for artists. She earned a Bachelorâ€™s Degree in Foreign Service at Georgetown University and an M.A. and Ph.D. in Economics at Michigan State University, and has taught at the Universities of Minnesota, Colorado, California Berkeley, Northwestern and Rutgers in City and Regional Planning. Winner of the 2006 Alonso Prize in Regional Science, she has served as North American Regional Science Association President, Council on Foreign Relations Senior Fellow and AAAS Committee on Science, Engineering and Public Policy Chair. Email: email@example.com.